This raag is usually sung in mandra & madhya saptak, the main beauty of this raag lies in swaras
प, नि॒. And swar ग॒ is used in vakra gati . Swar ध॒ is eliminated in avroh of this raag .
Details about the raag
Thaat - Kafi
Jaati - Audav-Sampurna
Vadi Swar - म
Samvadi Swar - सा
Time - Second half of the day
प, नि॒. And swar ग॒ is used in vakra gati . Swar ध॒ is eliminated in avroh of this raag .
Details about the raag
Thaat - Kafi
Jaati - Audav-Sampurna
Vadi Swar - म
Samvadi Swar - सा
Time - Second half of the day
Aaroh - नी़॒ सा ग॒ म प नी॒ सां।
Avroh - सां नी॒ ध॒ प म ग॒ रे सा।
pakad - नी़॒ सा म ग म प म ग रे सा।(़ this indicates that it is a lower octave (मंद्र सप्तक)
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1 comment:
Your post on raag Bhimpalas denotes only 'Dhaivat' as varjya swar in Aroha. Both Rishab and Dhaivat are aroha.
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