This raag is a combination of Basant and Kedar. Kedar always remains the prominent raag and Basant is used towards the end of the alaap.
Details about the raag
Thaat -
Jaati - Shadav - Sampurna
Vadi Swar - म
Samvadi Swar - सा
Time - First half of the night
Aaroh - सा रे सा म, म प, ध नी सां।
Avroh - सां नी ध प, ध॒ मे प, मे ग मे ग, मे ग रे॒ सा।
pakad - सा रे सा म, म प, ध॒ मे प मे, ग मे ग। ( ़ this indicates that it is a lower octave (मंद्र सप्तक)
Video Collection
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Audio Collection
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The subject of North Indian Classical Music(HINDUSTANI CLASSICAL MUSIC)is rich, with its historical, cultural, aesthetic, theoretical, and performing facets.Here are the discribtions of Raags & their collection
Showing posts with label Basanti. Show all posts
Showing posts with label Basanti. Show all posts
Raag - Basant, Bahar
This raag is a combination of Basant and Bahar. In the aaroha, Basant can only be seen in poorvang. From Shadja to Madhyam, the raag swaroop of both the raags in same, however if in the later part of the aaroha bahar is shown then komal gandhar is used, and if in the later part of the aaroha basant is shown then shuddha gandhar is used.
Details about the raag
Thaat - Bhairavi
Jaati - Audav- Sampurna
Vadi Swar - सा
Samvadi Swar- प
Time - Third half of the night
Aaroh - सा ग मे ग मे नि॒ ध सां।
Avroh - ध नि॒ सां नि॒ प, मे ग, मे ग, मे ग रे॒ सा
pakad - सा म प, (म) ग॒ म नि ध मे प मे ग मे ग।
Details about the raag
Thaat - Bhairavi
Jaati - Audav- Sampurna
Vadi Swar - सा
Samvadi Swar- प
Time - Third half of the night
Aaroh - सा ग मे ग मे नि॒ ध सां।
Avroh - ध नि॒ सां नि॒ प, मे ग, मे ग, मे ग रे॒ सा
pakad - सा म प, (म) ग॒ म नि ध मे प मे ग मे ग।
Video Collection
Pandit Bhimsen Joshi - Raag Basant Bahar (From Flim Basant Bhar)
Audio Collection
Ustad Amir Khan - Raag Basant Bahar
Amir Khan-Basant B... |
Kishori Amonkar - Raag Basant Bahar(Vilambit & Drut)
Kishori Amonkar R... |
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